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Content Editor
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Image Grid Module
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Images can be linked
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Below is the Market Grid module with Background: Gray (default), Items to Show: 6, Number of Columns: 3, Spacing: Small
Checkerboard Rows
Space settings are all Medium.
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Pete Scantland
Chief Executive Officer
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Danielle Williamson
Vice President of Sales
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Jibran Shermohammed
Vice President of Development & Corporate Counsel
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Alex Compston
Chief Financial Officer
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Corey Favor
Sr. Director of Community Engagement, Arts & Culture
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Adam Borchers, CPA
Chief Operating Officer
Boston Arts Academy
This is the Initiatives Module
Boston Arts Academy (BAA) is the city’s only public high school for the visual and performing arts, serving students who reflect the diversity of Boston’s neighborhoods.
Orange Barrel Media displayed their student artwork on several of our large format signs throughout the city during spring 2022.
For Freedoms: 2020 Awakening
For Freedoms is an artist-led organization that harnesses the power of art to encourage civic engagement, public discourse, and direct action. Over the past two years, we have used our media platform to support various For Freedoms initiatives, including our recent participation in their 2020 Awakening campaign. Created to drive greater participation in American democracy and timed to coincide with the November elections, 2020 Awakening featured more than 100 billboards by over 85 artists in all 50 states, Washington D.C., Puerto Rico, Guam, and the U.S. Virgin Islands
Learn More![](https://obm.com/wp-content/uploads/2023/12/gerald-lovell.jpg)
Photo Credit: Photo credit here
Artist Card Module
Firstname Lastname
Artist Card Module
Artist Card Module with Medium spacing.
The Featured Artists module is below this one with Large spacing.
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Artists Module
Gerald Lovell
![](https://obm.com/wp-content/uploads/2023/12/gerald-lovell.jpg)
Gerald Lovell is an Atlanta-based artist who has gained nationwide recognition for his distinctive style of figurative painting. Lovell’s artistic practice focuses on his own life as a means of self-discovery and self-articulation. The subjects of his vivid portraits are moments from his own life, captured in semi-candid photographs and then memorialized on canvas. Each portrait thoughtfully reflects details and expressions that create an intimate view into the lives of his subjects and Lovell’s own urban millennial experience. One of the elements that defines Lovell’s unique aesthetic style is his bold, expressive layering of paint. Background elements rendered in exaggerated flatness contrast with focal points are emphasized through thick and mottled paint. Lovell’s heavy application of the impasto painting style translates his subjects into three-dimensional figures within a flat canvas.
Gerald Lovell was born in 1992 in Chicago, Illinois, to Puerto Rican and African American parents. Lovell is a is a self-taught artist who began his career after he left the graphic design program at the University of West Georgia. Lovell is represented by P·P·O·W, New York and his work has been displayed at national institutions such as the Harvey B Gantt Center for African-American Arts + Culture in Charlotte, The Houston Museum of African American Culture, and Swim Gallery, Los Angeles.
Lovell has strong ties to the Atlanta art community and has displayed work at local galleries including MurMur, The Gallery | Wish, Hammonds House Museum, Mason Fine Art, and Notch8 Gallery.
Initiatives involved in:
Arts & Entertainment Atlanta District
Jiha Moon
![](https://obm.com/wp-content/uploads/2023/12/Jiha_Moon.jpg)
Jiha Moon (b. 1973) is from DaeGu, Korea and lives and works in Atlanta, GA. She received her MFA from the University of Iowa, Iowa City. Her works have been acquired by Asia Society, New York, NY, High Museum of Art, Atlanta, GA, The Mint Museum of Art, Charlotte, NC, Smithsonian Institute, Hirshhorn Museum and Sculpture Garden, Washington, DC, Weatherspoon Museum of Art, Greensboro, NC and The Virginia Museum of Fine Arts, Richmond, VA. She has had solo exhibitions at Museum of Contemporary Art of Georgia, GA, Taubman Museum, Roanoke, VA, the Mint Museum of Art, Charlotte, NC, The Cheekwood Museum of Art, Nashville, TN and Rhodes College, Clough-Hanson Gallery, Memphis, TN and James Gallery of CUNY Graduate Center, New York, NY. She has been included in group shows at Kemper Museum, Kansas City, MI, the Fabric Workshop and Museum, Philadelphia, PA, the Atlanta Contemporary Art Center, Atlanta, GA, Asia Society, New York, NY, The Drawing Center, New York, NY, White Columns, New York, NY, Smith College Museum of Art, Northampton, MA, and the Weatherspoon Museum of Art, Greensboro, NC. She is recipient of prestigious Joan Mitchell foundation’s painter and sculptor’s award for 2011. Her mid-career survey exhibition, “Double Welcome: Most everyone’s mad here” organized by Halsey Institute of Contemporary Art and Taubman Museum has toured more than 10 museum venues around the country until 2018.
Moon’s gestural paintings, mixed media, ceramic sculpture and installation explore fluid identities and the global movement of people and their cultures. She says “I am a cartographer of cultures and an icon maker in my lucid worlds.” She is taking cues from wide ranges of history of Eastern and Western art, colors and designs from popular culture, Korean temple paintings and folk art, internet emoticons and icons, fruit stickers and labels of products from all over the place. She often teases and changes these lexicons so that they are hard to identify, yet stay in a familiar zone.
Initiatives involved in:
Arts & Entertainment Atlanta District
Alex Brewer (HENSE)
![](https://obm.com/wp-content/uploads/2023/12/Alex_BrewerHENSE.jpg)
Alex Brewer, also known as HENSE, is an American contemporary artist, best known for his dynamic, vivid and colorful abstract paintings and monumental wall pieces. He utilizes unique color and composition in his installations to evoke a bold presence in the varied spaces they inhabit. Brewer, a native of Atlanta, Georgia began his career painting and writing on the walls around the city at a young age. He discovered his love for creating art in public spaces through graffiti in the 1990’s. He produces numerous public works worldwide through a combination of techniques learned through graffiti writing and the formal language of abstract painting.Conscious of the supporting architecture, Brewer dramatically transforms his environments byre-creating existing objects and surfaces and infusing his work into the existing landscape. Best known for his works in the public area, Brewer applies the same processes and techniques in his public art as he does on his interior installations. Through wall drawings and a dialogue between various shapes, color and composition, his process produces larger-than-life abstractions creating textured surfaces and a layering of forms and color. Brewer employs a great deal of thought arranging the shapes he uses, inspiring dramatic compositions and gestures in his finished products. His use of unique colors and patterns, his play with shifting shapes and surfaces, and his intense line quality are a contemporary counterpart to the post-modern masters working in minimalism and abstract expressionism in the mid-twentieth century. Brewer’s use of simplified geometric forms, un-modulated color and hard-edges common in minimalism is perfectly paired with the spontaneous mark making that was common in abstract expressionism. These influences on Brewer’s work exemplify a comprehensive look at contemporary, abstract painting.Brewer has received recognition as a contemporary abstract painter, exploring, color, form and material. His works in the realm of public art have garnered him national and international attention. He has also received numerous notable commissions internationally and throughout the United States. His largest commissioned work is in Lima, Peru amassing an impressive sizeof 137 feet tall and 170 feet wide.With the ability to transform a gallery space or City’s landscape, Brewer’s paintings can act as a unifying thread in a community. Brewer is always inspired by creative expression and process in the public realm and creates works that play an important role in the visual interactions and dialogue of a community.
Initiatives involved in:
Arts & Entertainment Atlanta District
Theresa Chromati
![](https://obm.com/wp-content/uploads/2024/01/536x536_square_chromati.jpg)
Photo by: Elliott Jerome Brown Jr.
Chromati has garnered critical and institutional attention for figurative paintings that are shaped by fragmented forms of desire and constant motion. Bursts of complex color, sensual protrusions, and texture deploy abstraction to explore various contemporary realities of black woman. These bodies are at once imaginative, bordering on grotesque, and celebratory as they convey a variety of emotional and spiritual states of being. Chromati was born and raised in Baltimore, Maryland, attended the Pratt Institute, and is now based in New York City. Recently, her work was on view at The Baltimore Museum of Art, Pérez Art Museum Miami, and The Moscow Museum of Modern Art, and The Delaware Contemporary. She has been featured in The New York Times, i-D, Interview Magazine, Juxtapoz, Architectural Digest, and Vogue.
Initiatives involved in:
Walls for a Cause NYC
Ann Hamilton
![](https://obm.com/wp-content/uploads/2024/01/ann-hamilton.jpg)
Ann Hamilton is a visual artist internationally recognized for her large-scale multimedia installations, public projects, and performance collaborations. Responsive to the contingencies of the sites where she works, her recurring forms—cloth, texts spoken and written, animals, and people suspended or in motion—immerse viewers in an atmosphere both visceral and literary, individual and collective, animate and inanimate, silent and spoken. Noted for a dense accumulation of materials, her ephemeral environments respond to the architectural presence and social history of their sites. Whether inhabiting a building four stories high or confined to the surface of a thimble, the genesis of Hamilton’s art extends outwards from the primary projections of the hand and mouth. Her attention to the uttering of a sound or the shaping of a word with the hand places language and text at the tactile and metaphoric center of her installations. To enter their liminality is to be drawn equally into the sensory and linguistic capacities of comprehension that construct our faculties of memory, reason and imagination.
In a time when successive generations of technology amplify human presence at distances far greater than the reach of the hand, what becomes the place and form of making at the scale and pace of the individual body? How does making participate in the recuperation and recognition of embodied knowledge? What are the places and forms for live, tactile, visceral, face-to-face experiences in a media-saturated world? These concerns have animated the site-responsive installations that have formed the bulk of Hamilton’s practice over the last 20 years. But where the relations of cloth, sound, touch, motion, and human gesture once gave way to dense materiality, Hamilton’s work now focuses on the less material acts of reading, speaking, and listening. The influence of collaborative processes in ever more complex architectures has shifted her forms of making, wherein the movement of the viewer in time and in space now becomes a central figure of the work.
Marcus Jahmal
![](https://obm.com/wp-content/uploads/2024/01/536x536_square_jahmal.jpg)
Photo by: Charlie Rubin
Jahmal’s recent solo exhibitions include Double Down at Almine Rech, New York; GUMBO at CAC Passerelle Brest, France; and Solid Ghosts at Almine Rech, Brussels, as well as shows at Canada Gallery and FiveMyles in New York. He has been included in group exhibitions at the Drawing Center, New York; UTA Artist Space, Los Angeles; and The Journal, New York, among others.
Initiatives involved in:
Walls for a Cause NYC
Gallery Cards module is below
![](https://obm.com/wp-content/uploads/2023/12/Art_HENSE.jpg)
Photo Credit: Photo credit goes here
Alex Brewer (HENSE)
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![](https://obm.com/wp-content/uploads/2023/12/Art_Hayner.jpg)
Ash "Wolfdog" Hayner
“The concept for this piece was both about bringing color and excitement to an otherwise bland landscape, and about bringing people together. Utilizing the cement texture of the bridge as the background allowed for the bright abstract shapes to tease the larger, solid image of color on the opposite side of the bridge. Similarly, people from all walks of life use this space to connect from building to building. My hope with this piece is to provide an uplifting and unexpected meeting place for years to come.” – Ash “WOLFDOG” Hayner